Lonesome Highway (Ireland) - May 3rd, 2017
Malcolm Holcombe Pretty Little Troubles Singular
There is little doubt that Holcombe has his detractors as well as his admirers. His grit and gravel sandpaper voice is not to everyone’s taste, but those that do fall under his spell seem to be growing and he has certainly been prolific of late with a number of albums to his credit over the last few years. This time out noted artist in his own right Darrell Scott has taken on the production duties. Holcombe’s bluesy tales, his own pretty little troubles, are as often about the world around him and how it is being eroded (Yours No More, Good Ole Days, Damn Weeds) as about his own life and times (Crippled Point O’ View, Outta Luck), some of the songs encompass both.
However these tales of woe are given a musical setting that always make them never less than interesting with a wide range of instruments adding substance and sustenance to the hardworn nature of the music. Many of the instruments are played by Scott himself but with major contributions from Jelly Roll Johnson, Joey Miskulin, Verlon Thompson and Denis Crouch. Mike McGoldrick brings a distinctly Celtic flavour to The Eyes O’ Josephine with Uilleann pipes, which makes that song an immediate standout. Yet in the end it is Holcombe’s voice which is the most prominent feature of the tracks and the success of the album will largely depend on your liking for that particular vocal inflection.
For those that do like this sound, Pretty Little Troubles is a compelling album that employs all the skills of its participants to best advantage which makes it a highpoint of Holcombe recorded output. His pretty little troubles have produced some nuanced and balanced personal and unique representations of the blues that are as effective as many of the more applauded practitioners of that often ignored genre. Malcolm Holcombe continues to do it his own way. Singular indeed.
- by Stephen Rapid